Method
July 28th, 2026
MOVIE: METHOD
STARRING: CHANDLER BALLI, MADISON OAKLEY, ALANA PHILLIPS, TRAVIS LEE PRINE
DIRECTED BY: CHANDLER BALLI
AMovieGuy.com’s RATING: 3 STARS (Out of 4)
RATED: R
RUN TIME: 97 MINUTES

The concept of the meta-horror movie goes back a long way, from New Nightmare and Scream to In the Mouth of Madness and countless others. Commentary on the horror genre has often gone hand in hand with the stories themselves. Method, the new film from writer/director Chandler Balli, pushes that conversation even further, as a filmmaker takes his crew to an isolated summer home to make his latest movie, only to cross every moral boundary in pursuit of the perfect horror film. The result is a shocking and inspired examination of how far an artist will go, where method gives way to outright madness.
The director is Derek Ryan (Balli), the successful creator of the Tapeface slasher films, a series that, in some ways, riffs on Terrifier. The killer wears a duct-tape mask, stalking and murdering victims for his own pleasure. To make Tapeface 3, Derek reunites his small crew, including stars Liz (Madison Oakley), Heather (Alana Phillips), and the awkward Trevor (Travis Lee Prine), portraying the mysterious Tapeface killer. The goal is to create the ultimate “slash-terpiece.” What should be a gathering of creative people making a movie on a shoestring budget quickly spirals out of control. Derek becomes obsessed with making every kill more shocking and more realistic, eventually deciding that the murders should happen for real.
From a production standpoint, Method doesn’t reinvent the slasher formula. Balli is working with a limited budget, and many of the violent moments occur off-screen rather than through elaborate special effects. What he does have is a story that works from beginning to end. One by one, the cast members are eliminated as Derek enlists the help of a willing accomplice to turn his production into a real-life snuff film. With each death, making the movie becomes less important than the thrill of the hunt. Balli is clearly interested in asking just how far a director is willing to go to make a film feel as authentic as possible.
Ironically, “authentic” isn’t quite the right word for how Method looks. Balli intelligently uses his creative side, relying on tight camerawork and effective sound design to let the audience imagine the gruesome details, instead of overloading the senses. It isn’t always visually polished, and some of the performances feel understandably rough around the edges, but Method has something meaningful to say. Similar to Art the Clown, the Tapeface character is inventive, while embodying an unsettling presence. Heather grows increasingly curious about Derek’s creative decisions, unaware that her questions may seal her fate, while Liz gradually emerges as the film’s final girl, holding her own set of cards to play, building to a climax that pays off effectively.
Ultimately, what makes Method work is its examination of artistic obsession and whether success is worth the human cost. Beyond that, it’s an impressive independent horror film. Method is the result when a group of passionate filmmakers gets together with great imagination and a camera. Balli delivers a strong lead performance as the increasingly obsessed director, convincingly portraying a man who is socially awkward around his female co-stars yet relentlessly driven to make Tapeface 3 unlike anything horror audiences have ever seen. Method is an interesting companion piece to the current wave of young YouTube horror filmmakers breaking into the industry, each seemingly determined to push the genre further than the last. Method works as both a slasher film and a study of horror filmmaking.
3 STARS
METHOD DOES NOT HAVE A CURRENT RELEASE DATE SET. MORE INFO WILL BE AVAILABLE LATER.
Written by: Leo Brady




